Fresh from the fantastic Calgary Horror Con, and I want to capture some of my thoughts on the show.
Firstly, it’s expanding– last year there were two dealer’s rooms, this year there were three! Celebrity guests included Doug Bradley and Ashley Laurence (from Hellraiser) and John Kassir (voice of the Cryptkeeper) as well as Zach Galligan (Billy from Gremlins) and others! Attendance was also up from last year, to the point where there was a line-up to get in as the show opened on Saturday.
The show seems to attract all types of fans: families, individuals of all ages; there’s no “set” demographic that I could really discern. I saw a family of four in full costume from four different movies, fans in their 60’s and 70’s browsing tables for curios and photos; girls and boys, women and men. It was lovely to see!
Traffic was steady and flow-through was good in our room on both days, with brief lunchtime lulls and a dwindling crowd in the last hour of Sunday.
I love Horror as a genre, though it’s never been as intrinsic to me as to my friend Kyle Burles, the artist on our shared Horror comic, Gloaming. The first year of the show, Kyle had a table by himself, and because it was slow he asked if I wanted to come down and set up some of my stuff and share a table with him; we had such a good time, I’ve come back every year.
Two Gargoyles Comics produces a rainbow of comic book genres- Superheroes, Comedy, LGBT, Noir, and Horror- and at first I thought of Horror-Con as a small supplement to a very specific audience, but I was in error. The fans are of course delighted by horror offerings but are interested in others as well!
This year, my comics seemed to fly off the rack. Gloaming 1 and 2 were very popular, of course, being the “Showcase” comic for this show (in fact, on Saturday afternoon I had sold out of Gloaming #1 and had to rush home to grab more inventory); but also there was interest in the Gargoyle Noir/Comedy Twilight Detective Agency, and half-Norse God half-Canadian superhero Thunder. Folks also enjoyed the cartoonish Diaperman (I actually sold out of his graphic novel at the show!) and there was also love for LGBT hero Spectrum. I sold 60% of my 4-day Calgary Expo numbers of comics at this show– to a whole different audience, which made the show amazingly worthwhile!
It’s worth noting that for the first time ever (and we’ve been doing shows together for eleven years), my comics sales exceeded Kyle’s print sales, and his sales are always incredible! Perhaps this was the year for fans to broaden their horizons? Who knows? It’s frustrating for all creators/vendors to try to anticipate the market, because it seems we never can, but I will appreciate success where I find it and that’s for sure!
According to its own website, Calgary Horror Con is “The first and largest convention in Canada dedicated to Horror,” and this seems to be corroborated by actor Dick Warlock (Halloween) who, in his CBC News interview, said “The crowd has been tremendous… this show is as good or as big as any I’ve ever been to.”
Last weekend, the good folks at 
One thing I would say to my fellow creators is to remember that how your audience perceives YOU, the creator, influences their relationship with your work. If you’re engaging, they will be engaged. If you’re positive, they will view your work positively. However, if you seem to hold the opposite opinion to every single topic that’s brought up, if you’re constantly difficult, unapproachable, and abrasive, people will view you negatively. I watched it happen during the show– I felt bad for the creator in question, but ultimately that’s a lesson I think they have to figure out on their own.
Normally, I write about shows right after I do them– but in the case of 
Annoyances: Folks taking pictures of prints instead of buying a print. Jeremy had the most hilarious “Trump – Truly Outrageous” print this year, and if all the people that stopped to take a photo of it had bought it, it would have paid for his entire trip to Calgary. It’s hard to begrudge fans their admiration of one’s work, but when all that interest generates no cash sales, it’s kind of like “working for exposure”– something no artist ever wants to do. It’s a hard game to play– one wants people talking about one’s work, certainly! But if no one is buying it, then one is soon OUT of work.
Although the physical rigours of the show itself are tiring, the inspiration of being surrounded by other creators is worth the price of admission; admiring their work, getting inspired to try new things both in my own work and in practical applications like upgrading my table display, realizing I need to put together a press package– (seriously, the Calgary Metro News 
“Twogargs” is an independent publisher of comic titles, including the genres of superheroes, comedy, horror, and urban fantasy… with more to come.
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Two Gargoyles Comics is based in Alberta, Canada, and appears live at conventions in Western Canada and wherever else the winds take us!
